The album established his to-put-it-lightly Freudian relationship with his mother, his clear love for legends like Big Daddy Kane and Masta Ace and Nas, and his come-up battle-rapping at the Detroit hip-hop clubs. He would cross over from rap to pop and rock radio, sell out arenas, win Grammys, rankle Lynne Cheney in front of the. It’s still the best-selling rap record of all time. million in the first month, and eventually, over 35 million sold worldwide. million copies sold in the first week alone. It went on to become diamond, and is considered by many as one of the finest records of the 21st century, if not all time.Īfter the release of The Marshall Mathers LP, Eminem would shatter sales records with. Considered by many as his magnum opus, The Marshall Mathers LP also set the one week sales record for a solo artist’s album. Building off the success of his second album The Slim Shady LP, Eminem came back harder and with even more targets. Make sure to check out the liner notes and the cover art breakdown. Mathers's hard-knock raps translate hip-hop for folks with Wu-Tang decoder rings, articulating suburban anger and violent apathy through the lens of white kids' experience.', Ranked #8 in Muzik's 'Albums Of The Year '99', 4 stars (out of 5) - '.By far the most distressing thing about THE SLIM SHADY LP is how seductive it is - largely due to Dr Dre's production work, it captivates and thrills, and this is an unavoidably amazing body of work.', 5 out of 5 - '.Perversion, paranoia and slapstick humour meet in Eminem's gob and get spat out 19 to the dozen.makes great voyeuristic entertainment.', 3 Stars (out of 5) - '.It's dazzlingly funny and gloriously offensive.', 3 1/2 Stars (out of 5) '.Eminem earns his buzz as a bona fide rap star one tasteless insult at a time, battling the world with a mouthful of adjectives and a boxful of laxatives.', Included in The Source's 'Top 10 Albums of the Year 1999.', Included in Q Magazine's '50 Best Albums of 1999.The Marshall Mathers LP is the second major-label studio album by Eminem, released on May 23, 2000, through Aftermath Entertainment and Interscope Records. '.Pairing Redman's gutter humor and metaphorical dexterity with Canibus' raging themes, the Detroit native has matched the high expectations surrounding his brilliant new album.', 8 (out of 10) - '.Eminem aka Marshall Mathers is humorous enough to be an honorary Beastie goy, and his scenarios are so far-fetched the songs almost never sound as ugly as they actually are.

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